Lisa Tatin’s artistic journey reflects a relentless quest, blending movement and voice. Trained from childhood in acrobatics and contemporary dance, she later pursued trapeze and dance performance before discovering opera singing at the age of 23. She then joined the Haute École de Musique de Lausanne/Fribourg and, in 2015, earned a master’s degree in opera singing from ZHDK in Zurich, receiving high praise from the jury.
After performing several Mozartian and opera buffa roles, Lisa turned to sound experimentation, viewing the voice as a living, sculptable material. This approach led her to fully engage in contemporary creation, collaborating with composers (André Décosterd, Blaise Ubaldini, Olga Neuwirth…) and theater/music companies (Agora, Schoß Company, BNFTS*, Le Donne Ideali & guests).
Since 2019, she has been developing hybrid works with video/light designer Simona Gallo, including MY:R:NINERESTand LAB_21 – Mon corps n’obéit plus. In 2021, she directed and performed J’ai plié ma langue, a work for voice and multiple percussion.
In 2024, she continues her exploration with Personne ne ramasse ma langue, a performative piece for two singer-performers, and Que perdons-nous à gagner du temps ?, which she directs at Théâtre Les Halles in Sierre. She also performs in Peut-être (…) by Jonas Lambelet with Cie HitzAhitz and will soon be on stage in FAI LLE (Cie Jerrycan) at Théâtre du Grütli. Among her upcoming projects: a solo piece, Le chant des possibles, and a work by Mauricio Kagel with the SMC of Lausanne under the direction of Dominique Tille.
Schoß Company is a platform for research and experimentation in sound and visual arts, creating hybrid forms at the intersection of music, performance, and theater. The fluidity of artistic languages and the diversity of artists involved in each creation form the very essence of Schoß.
Website Lisa Tatin
