By treating listening as a plastic and ever-shifting material, creating a space of persistence where temporalities, affects and intensities begin to waver, That’s twisted blurs the boundaries of time and perception. Driven by his nostalgia for the pop anthems of the 2010s — tinged with nihilism and a joyful fatalism in the face of anxiety about an uncertain future — the piece is rooted in a contemporary melancholy that Baptiste Cazaux seeks to transcend.
Through a collage of dances and sounds from different eras, he creates a hybrid space where gestures, music and noises distort, overlap and collide, like a DJ scratching in the middle of a track. In this psychedelic and sensual drift, moving between the intimate and the social, memory and confusion merge, revealing a shifting landscape made of echoes, fragments and ever-changing presences.
Choreography and performance Baptiste Cazaux
Music Nelly Hello
Dramaturgy Johanna Hilari
Assistance and outside eye Samir Kennedy
Outside ear Sandar Tun Tun
Lights Justine Bouillet
Sound Gaspard Perdrisat
Costumes Josiane Martinho
Production, administration and diffusion CH Yamina Pilli / oh la la - performing art production
Diffusion international Quentin Legrand - Rue Branly
Administrative Assistance La Petite Boîte
Production HONEYHONEYDANCEDANCE
Coproductions Pavillon ADC - association pour la danse contemporaine, Kaserne
Supports Created as part of Pavillon ADC’s (AC)COMPAGNONS program, supported by Fondation Leenards, Loterie Romande Genève, Bourse SSA pour les compositeurs de musique de scène, L’Abri-Genève
That’s twisted is supported by RESO - coproduction platform 2025.